Komski's work explores the point where industrial materials begin to behave like natural ones. Combining different metals, chemical patinas & textures, he creates surfaces that shift, corrode, and react in ways that he can guide but never fully control. Each piece becomes a collaboration between intention and entropy.
 

This series continues the ideas he began exploring in Bloom to Death, focusing on how beauty emerges from irreversible change. The metals he uses are rigid, functional, and engineered for durability, yet the processes he applies—oxidation, patination, erosion—push them toward organic, unpredictable outcomes. He's interested in that tension: the moment when something manufactured starts to resemble something found in nature.
 

Every work is built by hand, shaped through welding, grinding, layering, and chemical reactions. He builds shapes that couldn’t be removed from a single flat sheet—shapes that only exist once the metal is cut, bent, and then welded back together. The color shifts are not painted illusions; they are physical transformations occurring on the surface of the metal itself.

The result is a body of work that sits between fabrication and decay—industrial pieces that end up looking almost natural.